Back in the olden days, as in the 80s and 90s, when I was collecting comics as they were coming out, rather than TPB and softcopies, when a series was slowly dying thanks to diminishing sales, usually the hype was just that - hype. They would give us average stories and change artists to maybe newcomers who need time to hone their skills and I would be left wondering how the F are they supposed to turn it around. Of course, as we grew up and with hindsight, we realized that there is always the possibility that the publishers had some commitments and while they know the series is due to cancellation, they moved the better talents to booming properties and simply use cheaper talents to fill the commitments. Basically we were used - the readers and buyers! It doesn't sound nice but it is the truth
Hence, once in a while, it is nice to see a reversal in trend. The New Mutants did strongly in its early years and especially when Bill S was onboard. After that, it was still good with Claremont on stories and Guice on art. Unfortunately for me and I do believe a fair bit of others, Bret wasn't the right choice of artist. That and the strange storylines with that spyder like character and whatever was going on before and after the big mutant crossover of Inferno drove sales downward
Thus the arrival of Rob Liefeld was a saving grace. Of course, now that I am older and reading this book once more, I can see the other side of the artwork - the part where critics like to hammer him but like I said in my first paragraph, in Rob's case, he put in a lot of energy and spark into the New Mutants transforming them from teenagers with angst into young people who actually have huge responsibilities thrust on them and the challenges that they faced were more grim and gritty though no less worse than the threats before
If there is one thing Rob is good at, it's energy. Look at that cover. It just rocks! While the interior artwork has its moments, we can feel the rushness of the artwork where the artist has to just churn out to meet the deadlines and with a double sized issue? Well, we can understand some of the panels are less than impressive but visually it connects and in fact, I believe if they have a better colorist (or perhaps the challenge is with production quality?), it would be better
Anyway, story wise, this is the final issue of New Mutants as the team is largely changed in terms of new faces, departure of old faces and the relaunch of X-Force. So here on the final issue SPOILER ALERT we are introduced to even more characters. First up, Lady Domino was just with us a couple of issues ago and last issue was bye bye Sunspot....
So naturally in terms of character development, a lot of chit chat is going on between Cable and Domino and then Cannonball and Boom Boom about changes and moving on and whether who should stay and who should go and what-not
But then in the midst of this we are introduced to Shatterstar who just pops in and is running and fighting everyone he meets. Naturally in terms of visual he is so awesome but Cable pops him easily hahahaha. And where there is new guy who is a hero, we found out that his villains are chasing after him to Earth from Planet Mojo
Now if that wasn't enough, the sneaky person in shadows from earlier is revealed as none other than a new claw person now that old claw person Wolfsbane is no longer with the team and she comes with her own set of problems in the form of Masque of the Morlocks!
And so there you have it ... new members with new problems but that's not all. O no. We end with an awesome epilogue where the Mutant Liberation Front's mystery leader is finally revealed as Stryfe who removes his helmet and ... gasp ... looks exactly as Cable!
What's going on? Well way back then when this came out it certainly left a lot of us hankering for X-Force 1
Ratings: 8/10
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